Renseignements généraux

Nº de série

S/O

Nº de partie

3

Nombre total de parties

5

Ou

S/O

Brevets

S/O

Description générale

.3-.4 backgrounds are combination of fabric and synthetic materials, secured at top edge to wooden frame, and suspended from metal wire hanger. .3-.4 wrapped in heavy plastic; stored in hardbody synthetic (resin ?) case.

Dimensions

Remarque : Cette information reflète la taille générale pour l’entreposage et ne représente pas nécessairement les véritables dimensions de l’objet.

Longueur

S/O

Largeur

S/O

Hauteur

S/O

Épaisseur

S/O

Poids

S/O

Diamètre

S/O

Volume

S/O

Lexique

Groupe

Photographie

Catégorie

Équipement de studio et décor

Sous-catégorie

S/O

Fabricant

Ou

Inconnu

Pays

Inconnu

État/province

Inconnu

Ville

Inconnu

Contexte

Pays

États-Unis d'Amérique

État/province

New York

Période

Karsh's New York studio operated late 1940’s to early 1990’s. Not used after 1992.

Canada

Part of a large collection of photographic equipment used by Yousuf Karsh, Canada's internationally honoured portrait photographer. From 1932 to 1992, Mr. Karsh operated from his principle studio in Ottawa. He also maintained studios in NYC and London, England. In 1999 Mr. Karsh was named one of the 100 most influential people of the century. His prints and negatives, and personal papers are in the national archives.

Fonction

General: Used in the area behind the subject of a photograph, to eliminate distracting images, influence lighting, suggest desired physical setting or mood, etc. Specific: Used to provide a solid background against which subject may be photographed.

Technique

These background units were used by Karsh as neutral fields in his standard set-up. The backgrounds (.3-.4) themselves were probably designed and constructed by Karsh/his assistants. The largest was placed directly behind the subject, the smaller off to one side. A small light was placed between the two or directly behind the subject, to illuminate the background, and separate it from the subject. Karsh used virtually identical backgrounds in his Ottawa studio (see 870317). He also had a large revolving wooden backdrop in his Chateau Laurier studio: this was dismantled and disposed of in 1992. (see ref.1, jerry fielder notes)

Notes sur la région

Inconnu

Détails

Marques

S/O

Manque

S/O

Fini

.3 Large background has pebbled brown synthetic surface on one side, woven textured flat white fabric (?) on reverse. Mounted on wooden dowel painted dark brown. .3-.4 Wrapped in heavy black plastic. Pt case is black; secured with woven black fabric straps.

Décoration

S/O