General Information

Serial #

N/A

Part Number

2

Total Parts

4

AKA

N/A

Patents

N/A

General Description

Flexible black rubber (?) lens hood.

Dimensions

Note: These reflect the general size for storage and are not necessarily representative of the object's true dimensions.

Length

N/A

Width

N/A

Height

2.3 cm

Thickness

N/A

Weight

N/A

Diameter

6.6 cm

Volume

N/A

Lexicon

Group

Photography

Category

Still camera parts

Sub-Category

N/A

Manufacturer

AKA

Unknown

Country

Unknown

State/Province

Unknown

City

Unknown

Context

Country

Canada

State/Province

Unknown

Period

This example used c. 1982-1996, and probably later.

Canada

All items were owned and used by Fred Phipps, a professional photographer based in Toronto and employed by the Canadian Broadcasting Corporation. Mr. Phipps studied photography at Ryerson Polytechnic Institute. Running short of funds, he left the program before graduation in January 1957 to take a job with the CBC photography department. He remained with the CBC for almost 35 years, during which he worked as a staff photographer and as National Photo Editor. After retirement in 1992 he continued to produce photos for the CBC as a freelancer. Over his long career, Mr. Phipps completed thousands of portraits and candid photos of CBC personalities and productions (e.g. David Suzuki, Foster Hewitt, Joe Schlesinger, Front Page Challenge, The Beachcombers, Friendly Giant, Mr. Dressup, Seeing Things). These were circulated to print media for publicity purposes or were used internally as "ID slides" for on-air program promotion. Attracted by the Leica's reputation for craftsmanship and excellent optics, Mr. Phipps purchased his M4-P around 1982 from Toronto Camera Exchange (Rutherford Photographic). Although Mr. Phipps was also using Nikon and Hasselblad SLRs at the time, he liked his MP-4 for use in the television studio because its quiet operation (without winder) was less likely to be picked up by microphones. This was a feature that Leica promoted in its marketing of the M4-P. With its bright, high contrast viewfinder and fitted with the Summilux 35 mm f/1.4 lens, the camera was also excellent for shooting in available studio light where a flash would again have been disruptive. Offering a wide angle of view and good depth of field, the Summilux was his preferred lens for candid studio shots where he wished to show the performers in context. Its optics were so good that a 35 mm negative could be enlarged to 16x20 inches with minimal grain. The 90 mm Tele-Elmarit lens on which this lens hood was fitted was generally used for portraiture. [Ref. 1]

Function

To shade camera lens from unwanted light, in order to minimize shadow and concentrate focus.

Technical

The Tele-Elmarit lens is a 90 mm f/2.8 lens featuring four lens elements. Introduced in 1973, it is the second version of this model. The first, which incorporated five elements, had been in production since 1964. Already a relatively compact lens for this focal length, the second version was lighter than the first. It is a moderately long focus lens well suited to photo-reportage, portraiture and other forms of photography where a large image, moderate depth of field and narrow angle of view are desirable. [Ref. 1]

Area Notes

Unknown

Details

Markings

None evident.

Missing

Appears complete.

Finish

Flexible black rubber (?) lens hood.

Decoration

N/A